
Martha
Fassbinder: Romantic Anarchist (Part 1)
May 16 - June 1, 2014
A beautiful virgin loses her father on a trip to Rome and falls into the arms of an older stranger. His sadism and her masochism set the stage for a claws-out satire of bourgeois marriage.
Due to rights problems with the Cornell Woolrich novel on which the plot is (loosely) based, Martha never had a theatrical run in the United States. Martha (Margit Carstensen) is in her early thirties, beautiful, single, and a virgin. While strolling around Rome on vacation with her father, he suffers a fatal heart attack. Just as unpredictably, Martha meets a stranger in his mid-forties in front of the German embassy. Back in Germany, she sees him again and learns his name is Helmut Salomon (Karlheinz Böhm). Martha falls for his charisma and dominant personality, and soon Helmut begins his tender but unforgiving “education” of Martha. His sadism and her masochism set the stage for a claws-out satire of bourgeois marriage and the conventions that hold it in place.
Read More
Rose of Nevada Director Mark Jenkin on His New Sci-Fi Tinged Tale
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.


