
September
Woody Allen’s homage to Chekhov is a contained, moody, yet emotionally expansive chamber drama, set entirely indoors in a country house upstate, starring Elaine Stritch, Mia Farrow, and Dianne Wiest.
Among the most misunderstood—and under-seen—films of Woody Allen’s career, this homage to Chekhov is a contained, moody, yet emotionally expansive chamber drama, set entirely indoors in a country house upstate (though filmed entirely at Astoria-Kaufman Studios in Queens!). The stellar cast includes Elaine Stritch as a flamboyant former movie star and controlling mother, Mia Farrow as her clinically depressed daughter, and Dianne Wiest as the well-meaning family friend visiting for the weekend, though the real star is Carlo Di Palma’s camerawork, peeking around the corners and down the narrow crevices of the film’s brilliantly claustrophobic set. A mid-film electrical blackout ranks among the most quietly atmospheric scenes of Allen’s career.




Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


