
The Gingko Bed
Relentless Invention: New Korean Cinema, 1996–2003
November 22 - December 12, 2019
An art professor finds himself at the center of a haunted love triangle in this deliriously surreal, strangely poignant tale of obsessive love from beyond the grave, one of the first homegrown blockbuster hits produced by the modern Korean film industry.
One of the first homegrown blockbuster hits produced by the modern Korean film industry, the feature debut of director Kang Je-gyu (Shiri) is a delirious vision of inter-romance between spirit and mortal in which an art instructor (Han Suk-kyu) finds himself at the center of a haunted love triangle involving an ancient princess and a murderous general after he comes into possession of a bed made from a cursed gingko tree. The crudely expressionistic CGI effects only add to the otherworldly aura of this surreal and strangely poignant tale of obsessive love from beyond the grave.
Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


