One of the most acclaimed works of his early career, Has’s sixth feature follows a popular radio actress on a trip to Paris, where she crosses paths with another actor with whom she had a fraught love affair during World War II.

Based on one of the greatest works of world literature, Has’s most enduringly influential achievements centers on a mountain-crossing that turns into a sequence of supernatural and frightful events for a military officer wandering through Spain.

The collective trauma of the Holocaust looms over this adaptation of Jewish author Bruno Schulz’s visionary and poetic reflection on the nature of time and death, which won the Jury Award at Cannes.

Has’s debut feature—following a day in the life of a desperate, chaotic drunkard—expressionistically renders the post-traumatic delirium dwelling within the everyday.

Has’s second feature chronicles a budding, doomed romance between a bourgeois student and a world-weary barmaid in prewar Poland.

Has continues his preoccupation with the relationship between cinema and literature in his darkly funny third feature, about a sickly writer and the overcrowded single-room apartment he shares with a motley assortment of acquaintances and near-strangers in 1930s Warsaw.

Has’s fourth feature follows a decorated actress (Lidia Wysocka) as she returns to her hometown to attend her grandfather’s funeral, occasioning her to revisit her family’s own history.

Memory and guilt intertwine and drive a young drifter to hide out at a remote mining outpost populated by men desperate to strike it rich.

A haunted man’s return to Kraków following 20 years of self-imposed exile in London serves as the narrative setup for Has’s eighth feature, one whose thematic and formal developments presage his later masterpieces.

Has’s lavish period epic, depicting the decline of the Polish aristocracy as their social perch is usurped by the ascendant capitalist class, follows a new-money merchant and his many attempts to capture the heart of a down-on-her-luck contessa.

Returning to the smaller-scale storytelling of Has’s earlier films and working from a story by Anton Chekhov, this intimate yet kaleidoscopic film follows an aging medical professor as he looks back on the events of his life regretfully.

One of Has’s most potent satires, Write and Fight is set at the outset of World War I and follows a young journalist who finds himself incarcerated in a Russian prison, where he’s forced to share a cell with a safecracker and a monk-turned-murderer.

Set in 19th-century Scotland, this film concerns a deceased young man whose corpse is exhumed by grave robbers, only for the young man to return to life in order to recount the events that preceded his demise.

One final journey for Has’s final film: a young alchemy student and his teacher flee the inquisition, embarking on a voyage across a 16th-century Germany ravaged by plague on which they meet a succession of eccentric religious figures.

A varied program collecting several of Has’s early fiction and documentary shorts, ranging from fascinating industrial films to assured miniature parables.