I’ll never forget first seeing Lucrecia Martel’s La Ciénaga at the New York Film Festival in 2001. It was one of the most assured first features I’d ever seen, a complex, atmosphere-drenched portrait of a middle-class family barely hanging on during a torpid summer. The film marked the emergence of a fully formed artistic sensibility, and remains one of this century’s defining films.
Since then the Argentinean filmmaker has proven time and again that her extraordinary debut was no fluke. Her subsequent films — The Holy Girl, The Headless Woman, and her latest, the astonishing, long-awaited period piece Zama — only further developed her talents, and refined her taste for wry humor and mysterious abstractions. She is nothing less than one of contemporary cinema’s true visionaries. Almost every shot in her work shows you something in a way you’ve never seen it before. Simply put, her films look, sound, and move like no one else’s.
If you’re not acquainted with Lucrecia Martel’s films or have never heard her speak about her work or share her completely original ideas about cinema, now’s your chance. Starting tomorrow, April 10, join the director in person at all screenings for our retrospective of her short but major career to date. Ahead of the official theatrical release this Friday, Martel will also join us for a sneak preview of Zama (a sold-out smash from NYFF 2017) on Wednesday, April 11.
View the lineup and secure tickets here.
We look forward to seeing you!
Director of Programming