El Adiós (Clara Roquet, Spain, 14m)
Devil Deal Blues (Rob Brink, USA, 15m)
Tramway (Robin Fraser, United Kingdom, 12m)
The Visitor (Ferran Mendoza Soler, USA, 20m)
Stay Awake (Jamie Sisley, USA, 14m)

The Loyalist (Minji Kang, South Korea, 17m)
Strangers in Familiar Places (Filip K. Kasperaszek, Poland & USA, 12m)
The Colonial (Matthew Ya-Hsiung Balzer, USA, 18m)
Canary (Marie Schlingmann, USA, 13m)
Pitter Patter Goes My Heart (Christoph Rainer, Germany & Austria & USA, 22m)

Day 39 (Jesse Gustafson, USA, 16m)
The Real American (Darya Zhuk, USA, 13m)
Standing8 (Michael Molina Minard, USA, 15m)
The Book of Ned (Judah-Lev Dickstein, USA, 20m)
Dear Mother (Édesanyám) (Daniel Nickson, Romania, 13m)

Nadie Baila (Javier Loarte, Spain, 20m)
The First Men (Benjamin Kegan, USA, 14m)
5th & Palisade (Chad Scarborough, USA, 15m)
What Doesn’t Kill You (Darya Zhuk, USA & Israel, 18m)
Two Sisters (Keola Racela, South Korea, 16m)

Living Legend (Alonso Llosa, USA, 19m)
Blow Out (Berkley Brady, Canada, 14m)
Kate and Johnny Do Something Fun (Lee Stratford, USA, 15m)
Don’t Tell Anyone (Anna Gutto, USA, 18m) 
Getting In (Stian Hafstad, USA & Norway, 15m)

Bears Discover Fire (Ben Leonberg, USA, 14m)
Fish (Andrew Ruiz, USA, 10m)
Miracle Polish (Eduardo Cohn, USA, 17m)
Sundae (Sonya Goddy, USA, 7m)
mal de ojo (Solange Morales, USA, 15m)
Imaginapped (Stian Hafstad, USA, 14m)

Peony Pavilion (Mu Dan Ting) (Sido Yao Lu, China, 18m)
Glimpse (Miguel Silveira, Portugal, 5m)
The Height of Life (Gilbert Ndahayo, USA, 20m)
The Prince of Nothing (Miguel Silveira, USA, 12m)
The Mink Catcher (Samantha Buck, USA, 12m)
Parents of the Groom (Emily Shesh, USA, 12m)

Join us for a special screening in memory of Film Program alumna Alex Sichel (’95). A Woman Like Me is a hybrid documentary that interweaves the real story of director Alex Sichel, diagnosed with metastatic breast cancer in 2011, with the fictional story of a woman trying to stay positive after her own diagnosis. 

Free and open to the public!

This year marks the 100th year since the first ever university-level course in Film Studies in the US was offered at Columbia University. To mark that anniversary, we are reflecting on how Film Studies has developed as a scholarly discipline over the last century and what challenges it faces in our rapidly expanding digital landscape.

Free and open to the public!

The art of pitching is a vital skill for any filmmaker. Join six Columbia MFA students in the Creative Producing Program as they display their skills in action.

Free and open to the public!

A panel featuring filmmakers working outside of the mainstream to produce do-it-yourself comedies rooted in the New York experience.