Our Media Center takes you inside Film at Lincoln Center with photos, videos, and podcasts from our screenings, talks, and events, plus announcements of upcoming programs and coverage of our artist and education initiatives.
To expand on the timely questions raised by NYFF58 selections The Monopoly of Violence, Mangrove, and Red, White and Blue, we’re bringing together a group of film artists, writers, and scholars for a conversation about the cinematic representation of police brutality and revolutionary protest.
Join us for what is sure to be a lively, expansive roundtable with the directors featured in NYFF58’s New York Stories short film program, part of this year’s Currents section. These nine NYC-based filmmakers will discuss their working methods, influences, and creative networks, and the ways in which their filmmaking practices reflect and refract this most cinematic of cities.
As discussions about reforming and expanding the cinematic canon rage on, some argue that it’s time to do away with it entirely—to imagine new and equitable structures, instead of trying to fix the old flawed ones. This roundtable discussion turns the spotlight on individuals and initiatives that bypass gatekeeping institutions, choosing instead to build alternative, collective, and grassroots methods of film distribution and exhibition.
For the festival’s final week, a group of critics will gather together for a spirited discussion with Devika Girish, Assistant Editor of Film Comment and Film at Lincoln Center, about the movies they’ve seen in the NYFF58 lineup and their tales from the trenches of the pandemic-era festival.
An unparalleled portraitist of loneliness and longing, Tsai Ming-liang returns to NYFF with Days: his first feature since 2013’s Stray Dogs, and undoubtedly one of his best, sparest, and most intimate films. We are delighted to welcome the legendary Taiwanese director for an extended conversation about this latest entry in his masterful, decades-spanning oeuvre.
In Matías Piñeiro’s Isabella (Main Slate) and Nicolás Pereda’s Fauna (Currents), one never knows where performance ends and life begins. In what is sure to be a conversation full of creative insight, the two filmmakers will chat about their shared affinities and inimitable idiosyncrasies.
We’re excited to bring the veteran directors of MLK/FBI and Her Socialist Smile together to discuss their formal, aesthetic, and discursive approaches to filmmaking, and the challenge of crafting art that resonates in the present moment while frankly reckoning with the untidy contours of the past.
Two Revivals selections featuring James Baldwin and Muhammad Ali pose the questions: Can artists and athletes act as political—perhaps even revolutionary—agents of change? And what are the double binds faced by Black artists and athletes in the public eye? Join us for a timely roundtable discussion featuring critics and scholars.