Edward Yang’s panoramic satire is set in the material world of 1990s Taipei, the skyline choked by smog and lit up by the neon signs of globally branded corporations. With his rapier wit, Yang observes the self-absorption of a gaggle of 20-something urbanites, including “culture company” impresario Molly (Ni Shujun), her wealthy fiancé (who fears Molly may be cheating on him), her talk-show-host sister, and the sister’s estranged husband, a novelist whose latest book imagines a reincarnated Confucius returning—with considerable horror—to a modern society ostensibly built upon his teachings. Though it signaled a shift in tone from his earlier, more dramatic films, the ambitious and incisive A Confucian Confusion finds Yang once again searching for the soul of a country he no longer quite recognizes. 

New digital restoration by The Taiwan Film and Audiovisual Institute through a grant from Edward Yang’s widow Kaili Peng.