Presented by Film Comment
Virgil Vernier’s follow-up to his acclaimed debut feature, Mercuriales (ND/NF 2015), takes stock of the state of the French socioeconomic order as embodied by the eponymous, dystopian business park and an eclectic ensemble of cult members, militiamen, and more. Once again working in richly textured Super 16mm, Vernier moves episodically from one character to another, tracking their movements, thoughts, and desires in the aftermath of the discovery of a young girl’s body, apparently burned alive, in one of the park’s factories. A group portrait of disappointment, disillusionment, and disaffection in a veritable hothouse of late capitalism, Sophia Antipolis is a work as singularly political as it is sophisticatedly drawn. North American Premiere
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