Our blog takes you inside the Film Society of Lincoln Center with photos, videos, and podcasts from our screenings, talks, and events, plus announcements of upcoming programs and coverage of our artist and education initiatives.
By J. Hoberman on October 31, 2011
In the fourth and final part of Hoberman's essay, he discusses the end of the Jewish new wave.
By J. Hoberman on October 30, 2011
Part three of critic J. Hoberman's look at the unprecedented Jewish content in Hollywood filmmaking from the late '60s to the early '70s.
By J. Hoberman on October 29, 2011
In part two of J. Hoberman's essay, he looks at post-Graduate cinema including Bye Bye Braverman, The Producers and I Love You, Alice B. Toklas!
By Nicholas Kemp on October 28, 2011
This weekend Film Society invites the young and old alike to join us in the Amphitheater of the Elinor Bunin Munroe Film Center for the kick-off of our brand new program of Family Screenings! Special discounted ticket price: $6... for everyone!
By J. Hoberman on October 28, 2011
Hollywood's Jewish “new wave” (a subset of the larger new wave that refreshed Hollywood content and personnel in the late sixties) had its moment between 1967 and 1973, roughly between Israel's Six Day and Yom Kippur wars or Barbara Streisand's appearances in Funny Girl (Columbia, 1968) and The Way We Were (Columbia, 1973).
By Fabian Baez on October 25, 2011
A Q&A with Sony Pictures Classics executives Michael Barker, Marcie Bloom, and Tom Bernard in celebration of the company's 20-year history of introducing foreign and independent films to American audiences.