The Day of Despair

Manoel de Oliveira
Part of

60th New York Film Festival

September 30 - October 16, 2022

One of Portugal’s greatest filmmakers portrays one of its greatest writers in this biographical gem, following the final days in the life of the 19th-century writer Camilo Castelo Branco, tormented by his own internal tensions as his health takes a dive and the possibility of continuing to write grows ever more remote.

DIRECTOR
Manoel de Oliveira
YEAR
1992
COUNTRY
Portugal / France
RUNTIME
76 minutes
LANGUAGE
Portuguese with English subtitles

One of Portugal’s greatest filmmakers portrays one of its greatest writers in this biographical gem, the culmination of the trilogy that Manoel de Oliveira began with Doomed Love (1978) and Francisca (1991). As with Francisca, The Day of Despair finds Oliveira depicting the life of the 19th-century writer Camilo Castelo Branco, here played by Mario Barroso. Drawing from Branco’s correspondence with the writer Ana Plácido, this film follows Branco’s final days, with the great, scandalous author tormented by his own internal tensions as his health takes a dive and the possibility of continuing to write grows ever more remote. Oliveira’s execution of this portrait of an anguished master of letters—marked by gorgeous, enveloping, painterly images—yields an essential tribute. This copy is the result of the 4K digitisation of the original 35mm camera negative and the final sound mix, on magnetic tape, both elements conserved by the Cinemateca Portuguesa. Color grading and digital restoration of the image were made by Cineric Portugal in 2022 using a distribution print as reference.

The Day of Despair
The Day of Despair

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