Jordan Peele’s latest, most assured sci-fi-horror outing transposes the alien-invasion thriller to America’s wide-open West.

Ninety years ago, former aviator and journalist Merian C. Cooper and his co-director, Ernest B. Schoedsack, forever changed the art of cinema with this prehistoric fever dream of humanity’s desire to exploit nature. Preceded by a 15-minute animated loop of Eadweard Muybridge’s Animal Locomotion Plate 626 on a specially-made 35mm print.

From its groundbreaking Technicolor camerawork and eye-popping set design, costuming, and choreography to its catchy music and enduring lyrics, The Wizard of Oz, adapted from L. Frank Baum’s 1900 novel, remains one of the most popular masterpieces of Hollywood’s Golden Age.

Sidney Poiter and Harry Belafonte forged one of the greatest and most daring artistic collaborations of the 1970s with the former’s directorial debut—the first major Hollywood Western from a Black director—produced with Belafonte, and starring the duo as the film’s titular characters.

Set in 1970s New York, this glitzed-out spin on The Wizard of Oz—written by Joel Schumacher just after he penned Car Wash and Sparkle—stars Diana Ross as the timid Dorothy who gets swept away to the land of Oz for a journey of self-discovery and features an all-star cast.

One of the most shocking and affecting cinematic depictions of manmade atrocity, Come and See follows a 14-year-old boy in Nazi-occupied Belarus after he joins the local partisans and experiences firsthand the horrors of the Eastern Front.

Joseph Zito pulled out all the stops to make Friday the 13th a series worth continuing: from mordant humor and glass-shattering kills to baffling psychosexual subtext to a gonzo finale. Starring Crispin Glover and Corey Feldman.

Based on Stephen King’s novella “The Body,” Rob Reiner’s third feature upends the classic coming-of-age film by compressing time and adding elements of the road-trip movie as the buddies (played by Wil Wheaton, River Phoenix, Corey Feldman, and Jerry O’Connell) go from boys to men literally overnight.

In one of the strangest body-swap films from the late 1980s, Corey Feldman stars opposite Jason Robards, who plays an eccentric researcher so hopelessly in love with his wife (Piper Laurie) that he conducts an experiment to consciously enter a dream state with her forever—but instead wakes up in Feldman’s body.

Part comedy of manners by way of Jerry Lewis, part phantasmagorical head trip, The Birthday is weirdo-horror of the highest order and peers straight into a traumatized headspace of relationship neuroses.