New York African Film Festival 2014

The core of the 21st New York African Film Festival is the experience of revolution and liberation in and from Africa in the 21st century. The festival presents a unique selection of contemporary and classic African films, running the gamut from features, shorts, and documentaries to animation and experimental films. In celebration of the centenary of Nigerian unification, look for a couple of films from Nollywood, Africa’s largest movie industry.

Lineup

Confusion Na Wa

Kenneth Gyang

Confusion Na Wa

2013|

Nigeria|

105 minutes|

English and Pidgin with English subtitles

New York Premiere. Q&A with filmmaker Kenneth Gyang at both screenings.

The fates of a group of strangers become intertwined over the course of 24 hours in a diverse Nigerian city, where a blackmail plot hatched by some opportunistic slackers inadvertently leads to their own downfall.

DCP
Half of a Yellow Sun

2013|

Nigeria / UK|

111 minutes

New York Premiere. Q&A with filmmaker Biyi Bandele and cast members. Introduction at 9:45pm screening.

Based on Chimamanda Ngozi Adichie’s best-selling novel, Half of a Yellow Sun is set during the Nigerian-Biafran war in the 1960s and follows two middle-class Nigerian twins as their lives are torn apart by the conflict.

Sarraounia

Med Hondo

35mm
Sarraounia

1986|

Burkina Faso / Mauritania / France|

120 minutes|

Dioula, French, and Fula with English subtitles

Based on historical accounts of Queen Sarraounia, who led the Azans into battle against the French colonialists at the turn of the century, Med Hondo’s sweeping epic rivals any that American cinema has produced.

Aya of Yop City

Marguerite Abouet & Clément Oubrerie

35mm
Aya of Yop City

2013|

Ivory Coast / France|

85 minutes|

French with English subtitles

Director Marguerite Abouet and actress Aïssa Maïga in person on May 11.

A popular comic-book series tracking the adventures of a young female aspiring doctor in a 1970s West African working-class suburb is brought to cinematic life through vivid drawings and a spectacular soundtrack.

Bastards

Deborah Perkin

DCP
Bastards

2014|

Morocco / UK|

83 minutes|

Arabic with English subtitles

U.S. Premiere. Q&A with filmmaker Deborah Perkin at both screenings.

A single mother fights to legalize her forced marriage and register her “illegitimate” daughter in this galvanizing documentary that offers an unprecedented look at the Moroccan justice system. Screening with Beleh (Eka Christa Assam, 30m).

Grigris

Mahamat-Saleh Haroun

DCP
Grigris

2013|

Chad / France|

101 minutes|

French and Arabic with English subtitles

New York Premiere

A young dancer with a bum leg sees his dreams dashed when his bad decisions catch up with him in this elegant character study from Cannes and Venice award-winning director Mahamat-Saleh Haroun. Screening with Columbite Tantalite (Chiwetel Ejiofor, 12m).

It’s Us

Nick Reding

DCP
It’s Us

2013|

Kenya|

88 minutes|

Swahili with English subtitles

U.S. Premiere. Q&A with filmmaker Nick Reding on May 8.

The 2008 Kenyan political crisis is echoed in this story of a small community where what starts out as good-natured banter between friends takes a more serious turn when rumors arise and a sudden mistrust takes hold.

Mugabe: Villain or Hero?

2012|

UK / Zimbabwe|

116 minutes

With unprecedented access to Zimbabwe’s longtime leader, reviled by many in the West, Agyemang’s film reveals a complicated man guiding a country still dealing with postcolonial fallout.

New African Shorts

110 minutes

Q&A with filmmakers at both screenings.

A short film program that includes fiction and nonfiction portrayals of the African experience, including work by Baudouin Mouanda, Ekwa Msangi-Omari, Iquo B. Essien, Ntare Guma Mbaho Mwine, Akosua Adoma Owusu, and Frances Bodomo.

Ninah’s Dowry

Victor Viyouh

DCP
Ninah’s Dowry

2012|

Cameroon|

95 minutes|

English, Pidgin and Babanki with English subtitles

New York Premiere. Q&A with filmmaker Victor Viyouh on May 13.

A mother of three runs away from home when her abusive husband refuses to let her visit her seriously ill father, setting off a whirlwind of suspense and adventure that traverses the Cameroon landscape.

Of Good Report

Jahmil X.T. Qubeka

DCP
Of Good Report

2013|

South Africa|

109 minutes|

English and Xhosa with English subtitles

New York Premiere

This tribute to film noir explores how a man “of good report” can get away with anything, in this case a torrid affair with a 16-year-student, in an impoverished black community ignored by South African society.

Winter of Discontent

Ibrahim El Batout

DCP
Winter of Discontent

2012|

Egypt|

96 minutes|

Arabic with English subtitles

U.S. Premiere

This hard-hitting political thriller set against the 2011 protests at Tahrir Square takes us on a journey into the lives of an activist, a journalist, and a state security officer, laying bare the police state of Hosni Mubarak’s Egypt. Screening with Wooden Hands (Kaouther Ben Hania, 23m).

In Africa and its diaspora, revolution is not always synonymous with the overthrowing of a government or a head of state. It goes beyond to a shared utopian search for liberation of the body and the mind that has characterized the history of African people through the years. Arising as a chain of movements led mostly by youth and women, revolution is a force against unfair systems, an impulse for the people to follow their own dreams, and a shared experience of empowerment. In the Digital Age, the struggle for liberation has found a resilient ally in technology, which has exerted multiplier effects in and outside the continent.

This is the core of the 21st New York African Film Festival: the experience of revolution and liberation in and from Africa in the 21st century. The festival presents a unique selection of contemporary and classic African films, running the gamut from features, shorts, and documentaries to animation and experimental films. In celebration of the centenary of Nigerian unification, look for a couple of films from Nollywood, Africa’s largest movie industry.

All films will tackle the path to liberation or the feeling of freedom itself: its impact, its agents, and, first and foremost, its visual splendor.

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